Palimpsests
↑ MapPalimpsest, from the Greek palimpsestos, “rubbed again”, names a parchment or tablet “written upon or inscribed two or three times, the previous text or texts having been imperfectly erased and still remaining partly visible.”
The School takes the palimpsest as a founding genre: both of its founding papers bear the name, André Patsalides’s Palimpseste and Adler’s Palimpsest: Viewing the Unconscious from Another Time and Place, each written in 1992. Patsalides calls the palimpsest a work-text: a draft imposed on prior texts that must be reworked and interpreted, clarifying one’s imaginary position toward the text, assuming responsibility for transforming what is written, and enacting the subjective position that transformation produces. What is at stake, he writes, “is not merely a change in the edition of a text, but rather an effective positioning of oneself in regards to the foundation of the School.”
To write a palimpsest, then, is to read Freud and Lacan as themselves palimpsests, texts a century old, overlaid by later misreadings and translations, their earlier layers still showing through, and, in reworking them, to take up a position of one’s own within the School’s ongoing work. In a member’s formation, the palimpsest marks the step from Precandidate to Candidate, on either track, and is the moment the precandidate joins the School: the advisor brings the precandidate’s desire before the Meeting of the Analysts, and the precandidate presents the palimpsest at the next Days of Assembly.